Showing posts with label Megan Ewert. Show all posts
Showing posts with label Megan Ewert. Show all posts

THE TA LIFE

By Megan Ewert (MFA 2013)

I knew I wanted to be a teacher the first time I walked out of critiques in my Painting I class in undergrad. Fairly shattered by the less than stellar feedback, I remember asking my painting teacher, “Am I just not cut out for this?”
To which she replied, “There are all kinds of artists.”

There are also all sorts of teachers, whose outlook on art is shaped by their education and experiences.  I decided that I wanted to be a teacher capable of offering my students a variety of ideas and perspectives about contemporary art theory and practice.  During my undergrad years at Kansas City Art concept was king and my studies focused on the expansion of the idea of painting often through interdisciplinary means.  When it was time to choose a graduate school, I chose the Academy knowing it would be drastically different than my undergraduate education and I wanted to be a part of a community of artists that valued not only a figurative tradition, but also its community of painters.

During my time at the Academy, I was determined to gain teaching experience.  I started out as a Teaching Assistant (TA) for Continuing Education (CE) classes assisting in beginner courses.  At the beginner level, I was able to offer practical demonstrations, give feedback on the CE student’s work while observing the instructor’s teaching techniques. After graduation, I decided to continue to pursue teaching and gain more experience by becoming a Teaching Assistant in the MFA Program. I signed up for a variety of courses ranging from studio to seminar classes, expanding my repertoire of subjects I would become qualified to teach.


 
I  wanted to go above and beyond what was expected of me. I set out to build relationships with students and extend my participation outside of class.  I set up one-on-one meetings, edited research and thesis paper drafts and gave personal studio critiques. For each course, I committed an additional four hours a week to further interact with students and create resources for their benefit.  One of these projects included the creation of an online image data base: ART and CULTURE: Images (Art and Culture I: IMAGES and Art and Culture II: IMAGES). To help expand students' knowledge of artists, both historical and contemporary, I compiled every artist’s name mentioned during each class and uploaded images. This database is an art historical resource that also helps students discover new artists to reference in their studio practice.

As a side project to a class I am currently TA-ing, I am developing an online community that would act as a resource and forum for information regarding studio/group critiques (http://critique-critic.tumblr.com/). CRITIQUE-CRITIC (CC) will be a resource for information about different approaches to art criticism while examining institutional art critiques. This website will not only be a compilation of different perspectives but a place to post student work—in progress or otherwise—to get feedback from other students in programs nationwide. As a direct outcome of this project, I hope to create a platform that showcases emerging artists and writers. 

To date, my work as a TA has allowed me to work with several amazing artists including John Cichowski, Bonnie DeWitt, Catherine Howe, John Jacobsmeyer, and Jean-Pierre Roy. Being a Teaching Assistant has not only helped me improve my ability to demonstrate and communicate the knowledge I acquired at the Academy, but also to create connections with current students, faculty, and alumni outside of the classroom. It has allowed me to pursue my goal of becoming a teacher while also allowing me to give back to the Academy community post graduation. 

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Interested in becoming a TA at the Academy?  Please contact Katie Hemmer in the Academic Office khemmer@nyaa.edu.

To learn more about Megan Ewert visit her website www.megan-ewert.com

A Peek at the Process


Ravishing colors, engaging compositions, flowing lines, graceful figures, glossy surfaces: The finished paintings that are created at the Academy make painting look effortless. But it isn't. Seeing artists mid-process in their studios is often an eye-opening experience. Below are some photos that I think capture the preparation and variety of artistic processes. 














Yunsung Jang, Class of 2013



Mei Ge, Class of 2014



Paul Tepper, Class of 2014













Garrett Cook, Class of 2014





Jacob Hayes, Class of 2014




James Adelman, Class of 2014

















Martin Saar, Class of 2014












Megan Ewert, Class of 2013










Kerry Thompson, Class of 2014













Joao Brandao, Class of 2013



Madeleine Hines (MFA 2014) will be blogging here throughout the year about her first year at the Academy and moving to New York City.  Check the label "First Year Experience" or "Madeleine Hines" for more posts about her first year at the Academy.

NYAA/Shanghai Univ./CAFA 2012 China Residency: Mutual Interest

On May 31, Four Academy students arrived in China to start an 11-week Artist in Residence Program in Shanghai and later Beijing.  Cory Dixon (MFA 2013), Megan Ewert (MFA 2013), Kristy Gordon (MFA 2013), and Nicolas Sanchez (MFA 2013) will share their experiences here throughout the summer.
 
Our frequent travels, hard work in the studio, and up close experiences in China led us to fulfill one of the goals of our residency. The 99 Degree Art Center of the widely acclaimed art district M50, served as the space for our exhibition. The 99 Art Center has spaces in Taiwan and in 2008 another branch was established in M50 which is closely linked with Shanghai University. For more information on 99DAC, click on the link at the bottom of this post to go to their homepage.

We were grateful and honored for the opportunity to show along side extremely talented artists from the Academy including faculty and alumni. The line up consisted of current students of NYAA; Nicolas Sanchez, Megan Ewert, Cory Dixon, Kristy Gordon, Academy alumni and artists; Cao Yi, Wang Yi, Chong Wong, and Academy faculty; Harvey Citron, John Jacobsmeyer, and Laura Frazure. 

work by Harvey Citron

work by Kristy Gordon

work by Nico Sanchez


work by Megan Ewert

Everyone showcased their work and individual focuses, but the entire show was brought together by utilizing the figure as a main source of reference. The work displayed an extensive range in scale from pocket sized sketchbook drawings to large ambitious paintings and installations. Different preferences in media included oil on canvas, drawings on paper, woodcut, 3D replicas, pastels, video, and photography. Just as diverse as the work was the installation process to secure our work in the large and striking space. 

work by John Jacobsmeyer
 
We all worked very hard to help each other install our work, but there was one person who out-shined us all. A carpenter that works for Wang Yi’s father came and was bestowed upon the tedious task of installing all of Jacobsmeyer’s prints. While everyone helped everyone else, this lone gunman was appointed to use accurate lasers and rulers to help display the worthy art. The end result was a well-crafted and meticulously measured installment of Jacobsmeyer’s work. We were all very impressed. Perfection. We were done and ready to go home to mentally prepare for the big opening. 


sketchbook by Nico Sanchez
Continuing this idea of small profiles in ballpoint, I started a new book of drawings filled with noted people we encountered during our residency. One person I included in my book was Yi’s father who also graciously provided us with his photography service photographing our work for the catalog. Yi’s entire family came to the exhibition where they all had fun seeing Yi’s father as part of the exhibition. Yi’s father had the idea to commission me to create another book featuring drawings of his family members that I will be starting immediately.  
So many invitations were extended for the show and we were eager to have people come, enjoy the work, and dip into a little Q&A with us. We welcomed a variety of attendees to the show. Guests in attendance included travelers from other countries seeking out great art viewing experiences, a group of wide eyed high school students from California who study with a famous artist and are in Shanghai to enrich their studies, students from Shanghai University whom we befriended, local art lovers who frequent M50 District, curator/writer Rachel Marsden, professors from CAFA, and many curious first time exhibition goers, friends, and family members. The gallery director, Ma Lin graced us with her presence and a photo blitz. One onlooker from Paris took a special interest to Cory and his work and purchased the painting he was exhibiting! His painting will be shipped to a collector in Paris in the weeks to come. We are all very proud and excited for him.
 
work by Cory Dixon
Our visitors had lots of questions about us and about our work that we were excited to answer while others found it entertaining to take pictures with us or in front of our work. Conversation about international travel, art, and exchanging ideas about other cultures ensued over refreshments and snacks. I met a trio of travelers that made a lap around the work, stopped by work. After a few hesitant glances as they matched my face with the figure in the painting, I approached them and told them that I was the artist. They asked me a few basic questions and we learned that we were actually all from same town of East Lansing, Michigan! They were actually the second group of people I ran into while in China from my hometown! Having ‘small world’ moments are not overrated. 
As the opening came to a close, we were all very pleased with the turnout and feedback. It flew by so quickly as we were all occupied in conversation and picture taking, but it was no doubt an awesome experience.

Shortly after the opening Wang Yi did a quick online search and found a number of websites featuring an article about our exhibition. NYAA is online on 24 different websites in China!

http://news.zynews.com/2012-07/01/content_2623484.htm
(ZYNEWS)
http://www.ccdy.cn/xinwen/wenhua/xinwen/201207/t20120702_323356.htm
(CCDY)
http://news.cqnews.net/html/2012-07/01/content_17040655.htm
(CQNEWS)
http://news.gxnews.com.cn/staticpages/20120701/newgx4ff00ea4-5564998.shtml
(GXNEWS)
http://www.sh.xinhuanet.com/2012-07/02/c_131689652.htm
(XinHuaNET)
http://www.sh.xinhuanet.com/2012-07/02/c_131689652_3.htm
(XinHuaNET)
http://news.timedg.com/2012-07/01/content_10888172.htm
(TimeEDG)
http://www.cnarts.net/cweb/news/read.asp?id=226869&kind=%D5%B9%C0%C0
(CNarts)
http://www.dzwww.com/rollnews/news/201207/t20120701_7655284.htm
  (DZNEWS)
http://www.zjcnt.com/news/2012/07/02/188821.htm
(ZJCNT)
http://news.xinmin.cn/rollnews/2012/07/01/15350881.html
(XinMing)
http://www.qhnews.com/newscenter/system/2012/07/02/010814356.shtml
  (QHNEWS)
http://news.hexun.com/2012-07-01/143059385.html
(HeXun)
http://www.chnmuseum.cn/Default.aspx?TabId=138&InfoID=82857&frtid=124&AspxAutoDetectCookieSupport=1
(ChnMuseum)
http://www.zjwh.gov.cn/dtxx/2012-07-02/128411.htm
(ZJWH)
http://www.indaa.com.cn/sh2011/wh/201207/t20120701_1075763.html
  (INDAA)
http://culture.people.com.cn/n/2012/0701/c172318-18418787.html(People)http://www.zggxsh.com/bencandy.php?fid=4&id=2285
(ZGGXSH)
http://www.cc-art.hk/News_Showindex.asp?id=6685
(CC-ART)
http://roll.sohu.com/20120701/n346994930.shtml
(SOHU)
http://news.163.com/12/0701/16/85BF8FD900014JB6.html
(163)
http://news.china.com.cn/rollnews/2012-07/01/content_14930029.htm
(CHINA)
http://www.chinadaily.com.cn/hqgj/jryw/2012-07-01/content_6324212.html
  (ChinaDaily)
http://www.artlinkart.com/cn/exhibition/overview/de2cyBso
(ArtLinkArt)
http://news.sina.com.cn/o/2012-07-01/163224692686.shtml
(SINA)

Just five days later, it was time to face the music and so the grueling undertaking of de-installing the show began. The hard work, though, came when we had to wrap everything up in preparation of shipping it all of it to Beijing! Armed with an abundant amount of tape and collected scraps of used cardboard, we were fearless in the face of uncertainty as the packaging commenced. No words-just see photos…

Special thanks and acknowledgments to:

-99 Degree Art Center and the staff including Huang Yiqian
-the director of 99DAC, Ma Lin
-Shanghai University
-Wang Yi and Cao Yi for curating, translating, and organizing the event
-Yi’s father for his photography service
-Rachel Marsden for the great review
-Peter Drake

Most currently, we have picked up and moved to Beijing and working hard in our new studio on CAFA’s campus. We have only been here two weeks and have already done and seen a lot! 

Stay tuned for our next posting as we reveal more about this incredible residency.

 

NYAA/Shanghai Univ./CAFA 2012 China Residency: Shanghai in Rear View

On May 31 Four Academy students arrived in China to start an 11-week Artist in Residence Program in Shanghai and later Beijing.  Cory Dixon (MFA 2013), Megan Ewert (MFA 2013), Kristy Gordon (MFA 2013), and Nicolas Sanchez (MFA 2013) will share their experiences here throughout the summer.

July 23, 2012 - By Nic Sanchez (MFA 2013)


Arriving in Shanghai, we hit the ground running and kept the momentum going. With cultural excursions, creating a new body of work, and preparing for an exhibition, our residency has been going at an exhilarating pace. We have experienced a lot and have been very productive. Now, with Shanghai and a little over half the residency behind us, we wanted to wrap up our first leg of the residency and fill everyone in on some of what our time in Shanghai was all about…

Nic & Kristy
Expected to learn a great deal about the foreign culture we are visiting, we also learned a little more about each other and ourselves.  A great part of the residency has been creating bonds. With our trusted translator, Academy alumni, and friend Wang Yi, we were ready to get our hands dirty. 
Professor of sculpture and drawing at the Academy, Harvey Citron joined us here a week into the program and quickly meshed with the group. Much like Gandalf leading the fellowship of hobbits, he spent a great deal of his time with us in and outside of the studio.



More team bonding and resourcefulness occurred during complete power outages at the school, late night studio sessions, early morning bike rides, and trying new foods without a translator!


 


When we weren't in the studio working, we were out in a tour bus visiting outlying towns and in the surrounding countryside. Traditional farming villages, the awesome Yellow Mountain, Venice-like ancient water towns, the great West Lake, and Buddhist temples were just some of our destinations filled with beauty and history. When given the opportunity to stop and stare in wonder, we attempted to capture what we could in our sketchbooks.


Another enriching part of the residency has been getting to know the people of Shanghai and the students of our host school, Shanghai University. We kept an open studio policy and met interesting new people and made new friends. 
 

As very obvious foreigners walking the scenic campus, we seemed to be people of interest and very often the studio was filled with Chinese students from different backgrounds of studies and occasional professors coming in to ask us questions about our work, our school, and Facebook and QQ information. Of course we fired right back with questions of our own creating multiple lanes of cultural exchange.
Nic working in his studio
 
Establishing and working in our studio space, traveling to unbelievable sights, making new friends, and carving what we could of our presence in Shanghai was a remarkable experience. 

Megan working in her studio

There is a lot to be digested and will surely come out somewhere through a brush or stick of charcoal as we continue to move forward. Leaving Shanghai was sad, but we definitely left on a high note as we reached the first of our many goals - our exhibition at the 99 Art Center in the renowned M50 district! 
 
Watch for our next post about the exhibition…