Showing posts with label Artistic Process. Show all posts
Showing posts with label Artistic Process. Show all posts

Creating an Academy Community in Bushwick

By Maggie Mead
Photos courtesy of Jaclyn Brown

Jaclyn Brown in her studio
Bushwick Open Studios (BOS)the three days every spring when artists working in Bushwick, East Williamsburg, Bedford-Stuyvesant and Ridgewood, Queens, invite the world into their workspaceshas become one of the city’s must-attend arts parties and, according to the New York Times, “the coolest place in the five boroughs” during the weekend it takes place.  

Dozens of Academy alumni participate in BOS each year, but did you know that Academy artists were some of the first residents of one of the event’s largest venues? Jaclyn Brown (MFA 2009) was part of the first group of Academy alums who moved into an almost empty building at 1717 Troutman Street in 2009, after responding to an ad offering studio space for less than 99 cents a square foot. 

1717 Troutman Street

“We thought it was a trick,” Jaclyn said. It turned out the building had just recently begun renting studio space after two years of renovations. Before that, artists had been illegally working in the large studios until they were evicted in 2007. Jaclyn and a group of alums—including Branden Wallace (MFA 2009), Sang Yong Cho (MFA 2009), Sarah Hall (MFA 2009), Cecilia Roberts (MFA 2009) and Jason Talley (MFA 2008)moved into a single 17,000 square foot studio (number 318), signing a lease under Branden's name.

“We were one of the first to rent there besides some wood builders, a group from NYU and artist Angel Otero, who moved in across from us at the same time," Jaclyn said. "The area only had a couple of restaurants, so we lived off of cheap tacos.”

There were other things about the neighborhood that took some getting used to besides the limited food options. “Cars would pull up to me and I was like, ‘Why do I keep having cars pull up to me?'" Jaclyn recalled. "And then I realized it was because of prostitution.” Today, Jaclyn says she feels much safer. The surrounding blocks now include murals, an organic deli, numerous bars and restaurants.

Jaclyn in the studio before the artists installed walls to separate the work spaces.
Several other Academy artists soon moved into the building, including Chris Marshall (MFA 2009), Nico LeBarge (MFA 2010), Lorra Jackson (MFA 2008), Peter Mühlhaußer (MFA 2009, Fellow 2010), Amber Mühlhaußer (MFA 2009), Stephen Sheheen (MFA 2005), John O'Reilly (MFA 2010, Fellow 2011), Meredith Rachel (MFA 2010), Stephanie Lindquist (MFA 2011), Jackie Dingle (MFA 2010) and Eric Mavko (MFA 2005), among many others. 

The group of artists in 318 has shifted over time. In addition to Jaclyn and Branden, the current roster of Academy alums in the studio includes Mike Gibson (MFA 2009), Mark Opirhory (MFA 2009), Heidi Elbers (MFA 2010) and Alvaro Luna (MFA 2011), all of whom participated in this year's BOS, from May 31 to June 2. 

(From left to right): Cecilia Roberts, Amber Mühlhaußer, and Heidi Elbers.

Jason Talley (Jaclyn's husband since 2009) stretching out in his studio space.
Jaclyn's studio space
Mike Gibson's space, ready for BOS.
Paintings by Mark Opirhory


Branden Wallace with his transformer made from vintage porn VHS tapes!
Heidi Elbers in her space, surrounded by her paintings
Work by Alvaro Luna

Nico LeBarge with her work

Chris Marshall's studio space
“I love working here and being around people I graduated with,” Jaclyn said. “You always have someone there to help you out, give you a critique when you need it, or grab a drink from a local bar."  

The network of Academy artists at the Troutman building has become more than just a social group. It has also become a real support system for the artists. In August 2012, when Jason Talley was diagnosed with leukemia, Academy alums came together to find a way to support him, which led to an exhibition/fundraiser hosted by the Academy.  

"That was pretty amazing," Jaclyn said. "Even though I am miles from my family [in Canada], it made me feel like we had family here: our Academy family."

Jaclyn and Chris Marshall relaxing on the roof.
Stephanie Lindquist, Heidi Elbers and other alumni hanging out at one
of the many BBQ parties on the roof deck.
 

New Britain Art Museum, Final Crits and Studio Visits

By Ian Factor (MFA 2014) 

Last week of classes, three more final class crits and then it's summer break.

Last week I had the incredible pleasure and honor to have a piece of mine shown at the New Britain Museum Of American Art in CT. Lily Koto Olive, Zach Brown and I rented a car and drove up for the opening, where we saw our work hanging, met some amazing people and had a great overall road trip away from NYC for the day.

Also last week a small group of students from JP Roy's Painting II class visited him in his studio in Brooklyn. He spent a ton of time with us going through all his studio practices, his new work, and even some science experiments! He also had set out a sweet spread of food and drink, a true host.

Last weekend was the 2nd years' final crits: three full days, I went to all of them. There are too many images to post here at once, but below are a few to get an idea of the intensity of the weekend. Congrats to all the second years for kicking some serious butt. Incredible work all around!

Yesterday, a small group of students went to John Alexander's Studio in Tribeca where he spent several hours with us, talking and showing us his new work for an upcoming Museum show. Wonderful experience. His work is inspiring and his stories are priceless!

Below is a selection of photos from these highlights of the last two weeks. There are many other things to add, but since I have three paintings due this week, I better get back to work!

Till next post, after the semester ends, hope you're all enjoying the spring!

New Britain Museum Of Art
Artist's Reception with Ian Factor, Lily Koto Olive and Zach Brown.

































JP Roy's studio visit:











2nd Year critiques:




















Ian Factor (MFA 2014) has been blogging here throughout the academic year about his first year at the Academy and moving to New York City. Check the label "First Year Experience" or "Ian Factor" for more posts about his first year at the Academy.

Final Weeks and Final Crits

By Ian Factor (MFA 2014)

It's the final week for many students, the 2nd year's final crits are this coming weekend, Friday, Saturday and Sunday, and many of us are working around the clock getting our work together for the end of the year presentations, first and second years alike. Though some classes will be held after this weekend, most of the work needs to be done in the next 10 days or so.


Students working on large paintings in room 201.

Before I get into the photos, here's a brief quote from Robert Henri, the great American painter and teacher, one of the founders of the Ashcan School and the author of The Art Spirit, one of the most important books about art and living the life of an artist ever written. He's always a good source of insight and perspective, especially at times when the artist's emotional mind is at battle with the rational mind ... which is so often.

This is for all the students at the Academy and specifically the second year students getting ready for your FINAL CRITS this weekend. Kick ass!

"If you want to know how to do a thing you must first have a complete desire to do that thing. Then go to kindred spirits—others who have wanted to do that thing—and study their ways and means, learn from their successes and failures and add your quota. Thus you may acquire from the experience of the race. And with this technical knowledge you may go forward, expressing through the play of forms the music that is in you and which is very personal to you."

--ROBERT HENRI

My studio during the MFA open studios.

Sleep and exercise are taking the back seat as I see the impossible task ahead of getting all my pieces done in this limited time. It's strangely like the final push before a solo show, but also much different in so many ways. Different pressure and different expectations. Trying to let go of any expectations at all, it's still difficult, and every day is an emotional roller coaster. I'll just do the best I can, knowing that most of my pieces will have to be "finished" this summer.

More progress on my history painting, "Seppuku", 80" x 96."
In Progress detail of main figure, "Seppuku."

People's nerves are running thin, and the intensity is as dense as the morning fog over the lake in Maine that I'm longing to be relaxing at right now. But even with the stress, there is still a smile and a friendly, helpful and enlightening conversation to share with a fellow student going through similar experiences. The community here at the Academy is beyond special and unique.   
Tatiana Ortiz Rubio with her newest painting.

It's interesting that in the midst of all this stress, anxiety and self doubt, I had a bit of a breakthrough in my drawing, which has been an ongoing challenge this year. Once the semester is over, I'll be posting more explicit details on some of the learning and realizations I've had this semester...I'll need some time away from school to digest and process it all before I try to put it to words. In the meantime, here are a few more pics of new work and scenes at the school ... hope to see you soon!

Graphite sketch for my drawing class with Harvey Citron.
Anatomy homework
More anatomy homework

Underpainting for a new piece on the movement topic.


Charcoal sketch for the new movement series.

Maria Teicher on the other side of the camera!

Maria at work


Sam Detch self portrait

Sam Detch head study
Roberto Osti teaching anatomical drawing with his great in-class demo work.

Wade Schuman with his color charts...
and my samurai sword...
No pressure!


Jessica Benjamin in front of her history painting.

Chris Law with his history painting.
 
Martin Saar with his horse Ecorche.

Ian Factor (MFA 2014) has been blogging here throughout the academic year about his first year at the Academy and moving to New York City. Check the label "First Year Experience" or "Ian Factor" for more posts about his first year at the Academy.