Art Review: "Coming to Power" at Maccarone Gallery
by Anastasiya Tarasenko MFA 2017
Alice Neel Nadya Nude, 1933
Just as our own Take Home a Nude auction is right around the
corner, “Coming to Power” offers a scintillating look inside the world of the
artist, for whom the forbidden fruit hangs low and always within reach. While
sexual imagery used to be the exclusive domain of male artists for male
consumers “Coming to Power: 25 Years of Women Making Sexually Explicit Art”
turns our attention to the female gaze, as it recreates the landmark 1993
exhibition at the David Zwirner gallery.
Nancy Fried Her Home, 1980
The walls are painted black, charging the space
appropriately with a velvety, dark atmosphere. Scrapbooking, collage, fabric,
metal, lacquer finish, feathers, and ribbons, all craft elements, traditional
“women’s arts”, are subverted, demented, criticized, and celebrated in equal
measure as beautifully exemplified in Nancy Fried’s small works on a bread-like
surface made with flour and salt. Each one is sculpted and painted, depicting
scenes of intercourse, masturbation, or simply, naked domestic life.
Monica Majoli,
Untitle (Bathtub Orgy), 1990
With the exception of phallic symbolism in many of the
works, the majority directed the female gaze onto female bodies. One of the few
paintings featuring an all male cast was Monica Majoli’s “Untitled (Bathtub Orgy)”,
1990. This small, meticulously painted image features a group of men in a dark
room surrounding and urinating on a man, both in agony and ecstasy, draped over
in the tub in a pose similar to that of Jesus in Michelangelo's “Pieta”.
Installation view of
video display
In the room next to the main exhibition space, the visitor
is invited to sit (or lay) on a large, furry throw, put on headphones, and
watch an instructional video entitled “Sluts and Goddesses” by Annie Sprinkle
and Maria Beatty, a 75 minute how-to guide for sexual enlightenment. This was
one of the more interesting choices of video on display as it was not a
conceptual art piece in its inception but the context of a gallery space lends
it a more refined perspective.
The exhibition is open until October 16th at the Maccarone
Gallery and features works by Alice Neel, Yoko Ono, Nicole Eisenman and many
other distinguished women in the art world.
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